LottoLab projects: Synaesthetic Human perception Bumblebees Synthetic worlds Media: Books, television, radio, popular press
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The human visual mind, like all natural brains, evolved to makes sense from the senseless, to create meaning where there is none. There is no inherent value in the incredibly complex patterns of light that fall onto our eyes, and yet we see coherent forms and motions that enable us to survive.
The process of perception is in fact one of creation and interaction and therefore a physical representation of past ecology. Thus, our beginning premise is that the mind evolved to continually redefine normality, to find – indeed to create – the relationships in the sensory image that matter, and to imbue those relationships with value, which we then see.
Why We See What We Do: An Empirical Theory of Vision (Paperback)

Here we provide a set of powerful colour, motion and shape illusions created in-house. Much of our research is centred on understanding how and why we see illusions.
We have developed a set of tools, that make use of and extend the popular Processing open-source multimedia programming environment. Together they will enable artists without the skills of computer programming to significantly influence the content of their visual performance, while also keeping the programming of new graphics algorithms accessible to those seeking greater creative freedom.
This general image is the heart of ‘Living Narratives’ that will be both performance and experiment; that conceptualizes and tests fundamental ideas in neuroscience, complex systems, and art/theatre; that communicates and explores – in a deeply intuitive way – fundamental principles, and then applies those principles to reconsider theatre and theatrical narrative as process.
We have developed the first iPhone game played in sound. The aim is to keep a ball from hitting the ground by either catching it or bouncing it on your paddle. Except in this game you can’t see the ball… you can only hear it.
An interactive art installation created by Beau Lotto, Sarah Rubidge and Erwan Le Martelot exhibited at the Otter Gallery in Chichester in 2005.
The Beacon is a 6 metre ‘Street Science’ installation of solar panels, glass and light erected on Old Street in London. The work is an experimental public structure that considers our dependence on the environment, not only for our survival, but also for who we are, even the colours we see.
Responses of human visual cortex to uniform surfaces measured with fMRI.
Proceedings of the National Academy of Science USA 101:4286-4291.
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The timing of cell death in the vision network is coincident with the end of the network’s formation. Target-Derived Neurotrophic Factors Regulate the Death of Developing Forebrain Neurons after a Change in their Trophic Requirements.
Journal of Neuroscience 21:3904-3910.
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Public Library of Science Computational Biology 3:e180.
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Regulation of cell survival in the developing thalamus: An in vitro analysis.
Experimental Neurology 181:39-46.
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We have developed a set of tools, that make use of and extend the popular Processing open-source multimedia programming environment. Together they will enable artists without the skills of computer programming to significantly influence the content of their visual performance, while also keeping the programming of new graphics algorithms accessible to those seeking greater creative freedom.
Regulation of cell survival in the developing thalamus: An in vitro analysis.
Experimental Neurology 181:39-46.
Download pdf
Responses of human visual cortex to uniform surfaces measured with fMRI.
Proceedings of the National Academy of Science USA 101:4286-4291.
Download pdf
The timing of cell death in the vision network is coincident with the end of the network’s formation. Target-Derived Neurotrophic Factors Regulate the Death of Developing Forebrain Neurons after a Change in their Trophic Requirements.
Journal of Neuroscience 21:3904-3910.
Download pdf

Public Library of Science Computational Biology 3:e180.
Download pdf
Fusion and Rivalry Are Dependent on the Perceptual Meaning of Visual Stimuli
Current Biology. 14:418-423.
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A rationale for the structure of color space.
Trends in Neuroscience 25:82-86.
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An empirical explanation of the Chubb illusion.
Journal of Cognitive Neuroscience 13:547-555.
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An empirical explanation of colour contrast.
Proceedings of the National Academy of Science USA 97:12834-12839.
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Why are angles misperceived?
Proceedings of the National Academy of Science USA 97:5592-5597.
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Lotto, R.B. and Purves, D. (1999)
Nature Neuroscience 2:1010-1014.
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An empirical explanation of the Cornsweet effect.
Journal of Neuroscience. 19:8542-8551.
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Using illusions to teach children about the science and art of seeing and conceiving
Lotto, R.B. (2007)
Wellcome Books. In press.
Mother: Making the Performance of Real-Time Computer Graphics Accessible to Non-programmers
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